Thursday, March 28, 2019
Bostons Artsy Youth Struggle for a Future :: Journalism Essays
Bostons Artsy callowness Struggle for a FutureLiz Meyrovich, 19, moved 3,000 miles away from the Portland, Oregon position she grew up in to attend Emerson College, iodin of Bostons umteen prestigious performing humanities schools. Un ilk many other aspiring actors and actresses who move to Los Angeles straight out of high school and work in minimum wage service industry jobs while going on numerous auditions, Meyrovich decided that she would get a degree. She was a musical dramaturgy major, hoping that a degree from Emerson would fuel her career as an actress. But one year and $32,000 later, she came to the realization that it wasnt going to happen.Id comprehend that, something like three percent, of Emerson potash alums get a job as an actor, utter Meyrovich. I didnt think it was worth it.Meyrovich, along with thousands of other materialisation aspiring actors and musicians, was drawn to Boston for one of its many performing arts schools, which includes Berklee College o f Music, The Boston Conservatory, and The New England Conservatory. But she, like so many others, realised that it might not be the best way to result a career in the entertainment industry.The increasing costs of tuition for these hush-hush schools combined with tough industry standards and a struggling economy devour left many young adults in a lose-lose situation. Those who do graduate are left with thousands of dollars in debt and a degree that they cannot use to pursue other career options. As a result, Boston is left with a large Bohemian-like subculture of young artists, actors and musicians who are struggling to make a future(a) for themselves.Everyone in Boston is in a band, Meyrovich joked. Everybody is a musician or an actor. Its kind of scary to see just how many wad there are around here who are like me who take the same thing that I want, because unfortunately, there isnt enough direction for all of us. And it sucks because a lot of really talented people fou nding fathert make it because of that.The big decision for many young adults like Meyrovich is whether or not to pursue a degree. The recent fame and success of Berklee dropouts posterior Mayer and Gavin DeGraw have many hopeful young performers questioning whether or not college is necessary. Does the entertainment industry care more about credentials or talent?According to Janet Neely, a Career Services Associate at Emerson College, training is necessary to become a performer.